Showing posts with label musical. Show all posts
Showing posts with label musical. Show all posts

Wednesday, December 19, 2012

Limitations

I briefly mentioned my disappointment with the musical stage adaptation of Gregory Maguire's book Wicked back in September. (Funny how this week's posts have been referencing previous posts...) What I didn't mention at the time was that the stage production (as seen in London's West End) was also the single best merchandising enterprise EVER. The current online store is still very very good with the selection they offer but the lobby display back in 2007 was truly breathtaking.


Among the offerings, I found this baseball-style tee, a long-sleeved black tee with FLYING MONKEYS up one arm, black filigree wrought-iron jewelery with green Swarovski crystals (the "Elphaba" line), and a "Grimoire" created to document the development of the musical. And that's just some of the stuff I brought home. The music boxes, the witch hat umbrella, the souvenir brooms and stuffed flying monkeys... so much and more that I had to leave behind due to luggage or budgetary limitations. 

The "Defy Gravity" message is perhaps the only element of the novel that carried over to the musical in a recognizable form. Elphaba's need to break away from the established order and re-make the world (no matter how she is perceived by the very people she wants to help) drives the plot and might be the only sympathetic note the stage show struck in me.



Personal limitations, our own and those of others, are interesting things to mull over. I was inspired to write this post by my father's annual Christmas letter which showed up in my inbox yesterday. My father is a smart man in many ways - bordering on brilliant when in the field of his expertise - but has never managed to recognize his own limitations. These include most areas of English language mastery - small talk, puns, Christmas letters - and relationships with women in general. From the time I was seven, I was put in charge of editing/proof-reading the Christmas letter. Twenty-five years later, having been a lone satellite household for almost fifteen years, I divested myself of the duty as (it seemed to me) his compositions were actually getting worse and I realized that my altruism had limitations as well that were affecting my health: My bad grammar ulcer twinged (FACT) every time I opened my emails from him. Furthermore, he now had a whole new troupe of English-as-a-First-Language offspring living under his roof who should be putting in their time as proof-readers. Apparently, this duty was and still is beyond their limitations in my father's estimation as the half-sister I contacted hadn't even read the letter before it was sent out.

With a conscious effort at minimal belly-button gazing, my relationship with my father is a primarily nostalgic one. I am his first born and, by that right, I got him when he was young, energetic, and when the world really was limitless. And Mom and him were ALL MINE for YEARS, something I realized recently is truly immeasurable in value. By the time my brother came along, Dad's vision had begun to shrink down to very specific goals and values. It's a sad irony and truth that the bigger his house got, the more his world narrowed. I miss the father I used to dig up the garden with and who taught me to play soccer and swim. 


I happily give credit for a lot of my strengths and successes to my father's influence and example... and he would readily accept that credit as his due. In absolute truth, I wouldn't be who I am now if I hadn't been my father's daughter first. But his strongest legacy in me was never an intentional lesson - limitations need to be recognized if they are ever to be overcome. Otherwise, they act as herding influences, gradually eroding one's horizons and aspirations into something cold and tight and unsatisfying.

Wednesday, October 24, 2012

Hasa Diga Eebowai

So, I'm not 100% yet and I'm finding myself super annoying in the role of "person who can't just shake off the cold" so I decided to head in to work and annoy other people today.

I took a sick day yesterday and tried to give myself time to repair but by about one in the afternoon, I was pretty stir-crazy and thought going grocery shopping would help since we were out of a lot of meal builders. (Turns out Under-the-Weather-Me thinks meals are made of ice cream.)

When I was waiting to cross the street, I heard someone say,"Hello, how are you today?" but didn't think anything of it. There were a lot of people waiting to cross and no one had called me by name. The question was repeated, a little louder this time, and I looked up to realize I was being addressed by a tall, pale, red-headed Mormon Elder. Elder Funk, to be precise. His buddy (because they always travel in twos) looked a bit like a South Pacific Islander Harry Potter/Buddy Holly cross. Elder Funk did most of the talking. I got the feeling that they'd just started their mission here in Vancouver and I did my best to be pleasant but since most of what I know about the Church of Latter Day Saints is from the musical and Bill Maher's diatribes about magic underwear, it gave us very little common ground to stand on.
When Elder Funk suggested we sit down to discuss stuff, I explained that the last time I'd done that it had been a Scientology thing and had been weird in that I ended up sort of converting my recruiter. They thanked me for my time, handed me a book and asked me to read and pray over it.

Today's shirt was an obvious choice after that.
 

Two years ago, I made a point to travel out to New York City, a major stop on my bucket travel list (New Orleans and Quebec City remain on the North American list still) during Spring Break. It was an incredible experience, despite being on my own, and I definitely intend to visit again.

Broadway was as impressive as I expected and yet, because of budgetary restrictions (NYC was the first trip EVER where I managed to spend within my means) and limited time, I had to pick my shows carefully. I made friends with a couple of guys, Nick and Sasha, from Toronto while in line for The Daily Show with Jon Stewart (we saw the episode with Canadian Norm MacDonald, btw) and, after the filming, they invited me along to a show called Fuerza Bruta which was a stunning, interactive and immersive show of performance art. I took photos (which we were encouraged to do) but they really don't do the show justice. The show's run, originally scheduled to close in New York on November 11th, has been extended through to January 6th at the Daryl Roth Theatre.

Sasha had a wedding to attend that weekend but since Nick was at loose ends and I had an extra ticket for the NYC TV & Movie Sites Bus Tour, we met up and got the comprehensive tour of Manhattan filming locations. 
That's me in front of the COSBY House!
 Following the tour, we headed to Broadway and queued up for THREE HOURS to see if we could get tickets for the sold-out-until-July run of The Book of Mormon, a product of the triptych of genius that is Trey Parker, Matt Stone (the dynamic duo behind South Park) and Robert Lopez (co-wrote and co-composed Avenue Q)

The show is phenomenal. And a phenomenon. And catchy, to boot... although not really something you want to break into song with on public transit or within earshot of small children or fundamentalist Christians... or a lot of Mormons.

Nick and I waited at the stage door after the show. It was incredibly fitting, after all, since we had met in line for The Daily Show (where interaction with the talent was tightly controlled) that we get autographs and pictures from sometimes Daily Show correspondent, Josh Gad, who played Elder Cunningham in the original Broadway cast.

Josh Gad and me
The Super Mormon in the show, Elder Price, was originally played by Andrew Rannells who now stars in the new comedy on Fox, The New Normal. (And this is another instance of how much I love writing this blog: Last night's episode of The New Normal was SO good. Especially the confessional scenes. Who WOULDN'T want to confess to a priest who plays Angry Birds and describes Jesus as "the Chuck Norris of his day"?)

Andrew Rannells and me
So, to tie this all back to the title of the post (and, man, aren't the labels on this one going to be interesting?), the musical has this number that parodies "Hakuna Matata" from The Lion King when the Elders Price and Cunningham arrive for their mission in the Ugandan village (which is "NOTHING like The Lion King!"). The phrase that the villagers chant to make the tragedies of their life (AIDS, famine, mutilation, war, etc) feel like less of a burden is "Hasa Diga Eebowai". My recent challenges have very much been #FirstWorldProblems but there are no restrictions on the application of the phrase. I've embedded a video but I'll warn my more sensitive readers that it may not be to their liking. (Tristy, send the boys out of the room)

Damned catchy, though.